Unlike Deepak Sodhan and Lala Amarnath, to our heartfelt delight, Suman Chatterjee scored his second ton with "Boshey Aanko", in his second album! The title-song has a strange and direct colloquial flavour that so often had eluded Bengali songdom.
I still remember, how the allusion made to English medium schools had slapped me tight, and little did Suman know, how this song would mould my inner defiance to certain things. I loved "shurjo bollo ish" for fluid playing of the guitar, and, also, for the simple yet vibrant structure of its lyrical content. "ek muhurte phiriye dile" remains another of my favourites, for, pure love that can reflect a moment of eternal glory, amid the ruins of concrete faith, is the focal point of this song. Suman places his cynical counter-realisation vis-a-vis this feeling, and, we, the spellbound listeners, stay glued to the dialectics till this hour.
"shawkaal belaar Roddur" is a social statement, beautifully sung and, the choice of words, they never cease to evoke the pang of fellow-feeling ( sympathy is too limited a word) for that nameless little girl. "chhawk ketechhe gaachher chhaya, ebong roder dwando" reminds us of Bibhutibhusan at his best. Before Suman, I never came across a description so physical in its essential nature, so ethereal in its sense of aesthetics, at least in the empire of Bengali songs.
The last two lines of "meghdoot" gets ironic enough, to show us the contrasting reality, and, like Yeats, reflects that beauty, indeed, is not a joy forever!
"rekhaaber rawng" captures the sombre mood of serenity, from the point of view of an ageing maestro. The song continuously makes us aware of our past, and how it firmly holds its ground even now. In "hothat rastaay", nostalgia bewitches reality, and the refrain of "bondhu kawtodin dyakha hoyni" breaks through the craving, yet uncertain hearts.
"ekekta din mosrin" remains another of my favourites, despite its embryonic rock sound. The lyrics, with a nonchalant "ekekta taa din bawro bey-rongin, awsukher mawto aashe aamar shawkaal", projects the casual darkness in the heart of a truant generation.
Although "chaalsher Gaan" was a childhood favourite; with dotage, it has lost some of its appeal. It sounds a little boring, a little overstretched, with some brilliant lines here and there. With "pukur paarer noyaano gaachh", begins the celebration of the trivial, which some years later would touch the pinnacle of song-making with 'chaarline-er gaan' in Jaatishmor.
"bhorsha thakuk" reminds me of Sukumar Ray, the lyrics are absolutely fascinating. This song actually captures the possibilities of the Bengali middle-class existence. The song is all about magical commonplaceness that renders a certain pedestrian charm to this song.
We are mere muggles, years before the boy who lived started enchanting us with his magic spells; another wizard had made us spellbound, as well. "boshey Aanko" remains another of his dazzling spells. I can't get rid of it, of course, I don't want to get rid of it for the world!
